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BACDS Fall Ball
"Country Life"

November 19, 2005

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The Dances:

(All dances are considered copyright their composers, where applicable).

4/4 D
6/8 Dm
2/2 F
2/2 Gm
2/4 Gm
6/8 F
3/2 G
2/2 A
3/4 G
Autumn in Amherst
The Black Nag
Bury Fair
Collier's Daughter
The Cotery
Dargason
The Dusty Miller
Elverton Grove
Heidenröslein
6/8 D
3/2 G
6/8 Am
3/2 Em
3/4 G
2/2 G
6/8 Dm
2/2 C
3/4 Am
The Hop Ground
Hudson Barn
Jack's Health
Key to the Cellar
Live Oak Circle
Old Wife Behind the Fire
Smithy Hill
Trip to the Manors
Whately Barn
 

Note: Items in red below are changes since the ball booklets were published.


AUTUMN IN AMHERST
longways duple minor improper, 4/4 meter
Philippe CallensAntwerp Antics2002
Tune Red Star Line, Kathy Talvitie 

A

1-2

Partners step R & honor; turn single L.

 

3-4

Partners L-hand turn once.

 

5-6

Neighbors R-hand turn once round, into…

 

7-8

Circle 4 L halfway and fall back with neighbors.

B

1-2

Women change by R shoulder; men change by L.

 

3-4

Partners draw poussette CCW 3/4, opening out to a line of four with the 1s facing up, 2s down.

 

5-6

All forward a double and back.

 

7-8

All cast R individually to partner’s progressed place; partners change places by R shoulder.

The hauntingly beautiful tune by Kathy Talvitie is played in a stately 4/4, giving the dance its air of solemnity.


THE BLACK NAG
3 couple set, 6/8 meter
Playford 1651
Keller & Shimer, eds., The Playford Ball

Part I
A1&A2 1-8 Partners up a double and back; that again.
B1

1-2

1s take both hands, slip up 4 steps.

 

3-4

2s the same.

 

5-6

3s the same.

 

7-8

All turn single R.

B2

1-8

Repeat B1, slipping back in reverse order (3s, then 2s, then 1s).

Part II

A3&A4

1-8

Siding over & back (Cecil Sharp siding); all that again.

B3

1-2

M1 & W3 change places with 4 slips, leading R shoulder and passing back to back.

 

3-4

W1 & M3 the same.

 

5-6

Middles (2s) the same.

 

7-8

All turn single R.

B4

1-8

Repeat to B3 back to original places.

Part III

A5&A6

1-8

Partners arm R & L.

B5

1-8

Men R-shoulder hey for 3, skipping; women turn single R on the last 4 beats of the music.

B6

1-8

Women R-should hey for 3, skipping; men turn single R on the last 4 beats of the music.



BURY FAIR
longways triple minor, 2/2 meter
Playford 1698
rec. Graham Christian (unpublished)

A1

1-4

1s cast into 2nd place while 2s move up; 1s move R into lines of 3 facing up & down, the man ending between the 3s facing up, the woman between the 2s facing down.

A2

1-4

Lines of 3 set forward and fall back.

B1&2

1-8

Circles of 3 to the L & R with the same people.

C1&2

1-8

Heys for 3 across the dance with the same people (1s pass R shoulder with 1st corners to begin).

D

1-8

1s meet in the center & lead down thru the 3s, cast back to middle place, lead up thru the 2s, and cast back down to end in middle place.



COLLIER’S DAUGHTER
longways duple minor, 2/2 meter
Dancing Master II, 1728
rec. Cecil Sharp, Country Dance Book 4

A1

1-4

1s cross & dance down one place while 2s move up.

 

5-8

1s 2-hand turn once round.

A2

1-4

1s cross & dance down below next 2s, who do not move up.

 

5-8

1s 2-hand turn once round, ending proper.

B1

1-2

1s lead back up one place.

 

3-6

Circle L once round with original 2s.

 

7-8

All turn single R.

B2

1-4

Four quick changes of a circular hey (no hands).

 

5-8

Partners 2-hand turn once round.



THE COTERY
longways triple minor, 2/4 meter
American Colonial 1797
Keller & Shimer, eds., The Richmond Assemblies

A1

1-4

M1 set twice to W2.

 

5-8

M1 2-hand turn W3 once round, then return to place.

A2

1-4

W1 set twice to M2.

 

5-8

W1 2-hand turn M3 once round, then return to place.

B1

1-8

1s lead down the middle, turn, & come back skipping; cast off to middle place while 2s move up

B2

1-8

1s and 2s four changes of R & L (with hands).



DARGASON
line of 8 dancers – 4 women facing 4 men
6/8 meter
Playford 1665
The Playford Ball

Part I

A1 1-8 1s (facing each other in the middle of the line) Cecil Sharp side over & back, set, & turn single passing L shoulder (M turn L W turn R,  passing L shoulder).
A2   (1s are now facing 2s) Repeat A1 with the 2s.
A3   (1s face 3s, 2s face each other) Repeat A1 with 3 pairs of dancers.

A4

 

(1s face 4s, 2s face 3s) Repeat A1 with all 4 pairs, all turning single 1-1/2 to reverse directions.

A5-A8

 

Repeat A1-A4, all retracing steps. By turns, 4s, 3s, and 2s become inactive.

Part II 

A9-A16

 

As in Part I, couples arm R, set & turn single, then arm L with the next.

Part III

A17-A19

 

1s begin a progressive chain by the R hand, skipping, giving L to activate the next and so on, until all dancers have gone through all positions of the hey.  At the ends, turn and reenter the hey with the same hand.



THE DUSTY MILLER
3 couple longways, 3/2 meter
Jackson & Fogg, eds., The Neal Collection, 1726
sensible variant in common use

A1

1-4

1s lead down the center, face up, cast between the 2s & 3s to the bottom of the set while 2s & 3s lead up

A2

1-4

1s 2-hand turn once round and cast up into 2nd place while 3s lead down

B1

1-4

1s turn 1st contra corner by R, then partner L

B2

1-4

1s turn 2nd corner R, then partner L; end facing 1st corners

A3

1-4

1s slow set & honor R, then 2-hand turn 1st corners; they pass the short way to face 2nd corners

A4

1-4

1s slow set & honor R, then 2-hand turn 2nd corners

B3

1-4

W1 hey on the men’s side, beginning L shoulder to M2 while M1 hey on the women’s side, beginning L shoulder to W3.

B4

1-4

1s meet in the middle and turn 2 hands moving down to 3rd place proper while 3s cast up

Repeat 2 times


ELVERTON GROVE
longways duple minor, 2/2 meter
Walsh 1712
Tom Cook, ed., Come Let’s Be Merry

A1

1-2

All turn single toward neighbor.*

 

3-4

Partners balance forward and back.

 

5-8

Partners cross by R shoulder and turn R to face in.

A2

1-4

Partners turn single R, balance forward and back.

 

5-8

Partners cross by R to original places.

B

1-4

Men lead between the women and cast back to place.

 

5-8

Women lead between the men and cast back to place.

 

9-14

1s figure 8 down through 2s, skipping (6 bars only)

 

15-20

2s figure 8 up through 1s, skipping (6 bars only)

 

21-22

1s cast down while 2s lead up

*Try this variant; the delight comes in the transition from one round to the next.


HEIDENRÖSLEIN
square for 4 couples, 3/4 meter
Pat Shaw, Book 2

A

1-4

Partners R-hand turn once round.

 

5-8

Corners L-hand turn once round.

 

9-12

Men R-hands across 3/4.

 

13-16

Women L-hands across 3/4.

B

1-2

With new partner, change places with 2 side steps, men going R and behind, women L and in front.

 

3-4

Turn to face this person; slow set & honor R.

 

5-8

Turn your back on this person; 2 changes of a Grand Chain, R to the 1st one you meet & L to the next.

 

9-16

With the third, take ballroom hold and waltz to the man’s home place.

Repeat 3 times


THE HOP GROUND
longways duple minor, 6/8 meter
Preston 1794
A. Simons, interp. c. 1965, Kentish Hops 

A1

1-4

1s take inside hands, set twice to W2.

 

5-8

Those 3 circle L once round.

A2

1-4

1s set twice to M2.

 

5-8

Those 3 circle L once round.

B1

1-4

1s cross & go below while 2s move up.

 

5-8

1s 2-hand turn 1-1/2.

B2

1-8

Four changes of R & L (with hands).



HUDSON BARN
longways duple minor, 3/2 meter
Jacqueline Schwab & Charles Hammond 1974

A1

1-4

Circle L once round.

A2

1-2

L-hands across halfway.

 

3-4

2nd corners let go; 1st corners join R hands as well & continue turning in the same direction 1-1/2 times; 1st corners end in original places

B1

1-4

Circle R once round.

B2

1-2

R-hands across halfway.

 

3-4

1st corners let go; 2nd corners join L hands as well & continue turning in the same direction 1-1/2 times; all are progressed and improper.

A3

1-4

Neighbors R-shoulder back-to-back.

A4

1-2

Women by the R, men by the L, turn the 1s halfway, up the outside

 

3-4

1s half figure 8 down through 2s.

B3

1-4

1s dance down the center & back.

B4

1-4

1s cast & 2-hand turn once round while 2s 2-hand turn 1-1/2 moving up



JACK’S HEALTH
longways duple minor, 6/8 meter
Playford 1686
rec. James Morrison, Legacy
Tune: Bolt the Door

A1

1-4

1s cross & dance down one place while 2s move up.

 

5-8

1s 2-hand turn once round, opening up to face neighbors.

A2

1-4

Neighbors back-to-back.

 

5-8

Neighbors fall back a double and set R & L.

B

1-4

All come forward a double and cloverleaf turn single.

 

5-12

Four changes of R & L (with hands).

 

13-16

Partners 2-hand turn to end proper (1s turn 1-1/2).



KEY TO THE CELLAR
longways triple minor, 3/2 meter
Jenny Beer 2004 (unpublished)
Tune: traditional

A1

1-4

1s cast to middle place (2s moving up) and gate down through 3s.

A2

1-4

Lines forward and back; 1s gate up through 2s.

B1

1-4

Heys for 3 across the dance, W1 with 2s, M1 with 3s.

B2

1-2

1s gypsy R once round.

 

3-4

Partners 2-hand turn.



LIVE OAK CIRCLE
Sicilian circle, 3/4 meter
Robin Hayden 2005 (unpublished)
Tune: Don & Kelly’s Waltz, Daniel Steinberg 1992

A1

1-4

Opposites back-to-back.

 

5-6

2 changes of a circular hey (pass opposite R to begin).

 

7-8

Opposites 2-hand turn halfway (end facing partner, facing in or out of the circle).

A2

1-4

Partners back-to-back.

 

5-8

Partners 2-hand turn 1-1/2, into…

B1

1-2

Circle L halfway.

 

3-4

Balance the circle & let go.

 

5-8

R-hands across, looking for the next couple.

B2

1-4

L-hands across with the next couple (women following their partners)

 

5-8

Partners take hands (men R, women L), balance forward & back; California twirl to face these new people.



OLD WIFE BEHIND THE FIRE
longways duple minor, 2/2 meter
Jackson & Fogg, eds., The Neal Collection, 1726

A1

1-4

1s set & cast down while 2s move up.

 

5-8

1s 2-hand turn once round.

A2

1-4

2s set & cast down while 1s move up.

 

5-8

2s 2-hand turn once round.

B1

1-4

1s cross & dance down one place while 2s move up.

 

5-8

2s cross & dance down into the middle of a line of 4 facing up.

B2

1-4

Line of 4 up a double and back, bending to face partners.

 

5-8

2 changes of R & L (with hands).



SMITHY HILL
longways duple minor, improper, 6/8 meter
Tom Cook 1987, Hunter’s Moon
Tune by Brian Jenkins 

A1

1-2

Beginning on the L foot, circle L halfway.

 

3-4

Step L, step R.

 

5-8

Repeat to original places.

 

9-10

Women change places passing R shoulder.

 

11-12

Men do the same.

 

13-16

Repeat, ending facing out with neighbor.

A2

1-2

Neighbors (keeping inside hands) lead out a double.

 

3-4

Retaining hands, neighbors change places, the woman moving under the arch (“California twirl”).

 

5-6

Women pull by by the R to meet partner with a L.

 

7-8

Partners take L hands, change places turning the woman under, ending in a line of 4 across the dance, partners facing at either end, men back to back in the middle (“swat the flea”).

 

9-12

Half hey for 4, beginning passing partner L.

 

13-14

Men draw their partners to progressed places.

 

15-16

All drop hands and step L, step R.



TRIP TO THE MANORS
2 couple set, 2/2 meter
Gary Roodman 1999, A Number of Calculated Figures 

Part I

A

1-8

Partners forward a double & back; that again.

B

1-4

Partners set & change places turning single (à la Trip to Paris).

 

5-8

Neighbors set & change places turning single.

C1

1-4

Partners lead away to side wall, turn and lead back into...

 

5-8

Pass opposite by R and turn R immediately into half heys for 4 (up & down hall).  Meet opposite at the other end (M on R, W on L) and face out.

C2

1-4

Opposites lead away, turn and lead back into...

 

5-8

Pass partners by R and turn R immediately into half heys for 4 (across the hall).  Meet your partner & end in original places

Part II 

A

1-8

Partners side R & L

B&C

 

As above

Part III 

A

1-8

Partners arm R & L

B&C

 

As above



WHATELY BARN
longways duple minor, 3/4 meter
Gary Roodman 2004, Prime Calculated Figures
Tune: Richard’s Reminder, Debbie Jackson 1998 

A1

1-4

1st corners change places by the R shoulder; all circle L halfway.

 

5-8

2nd corners change places by the R; all circle L halfway.

A2

1-2

Partners pass R shoulder & turn single L.

 

3-4

Partners L-hand turn once round.

 

5-6

L-hands across halfway.

 

7-8

All turn single R.

B1

1-4

All balance back & dance forward into partner back-to-back.

 

5-6

2 changes of a circular hey (no hands).

 

7-8

Partners 2-hand turn halfway & face up.

B2

1-4

2s (improper above) cast down, half figure 8 up, & loop to the ends of a line of 4 facing up while 1s (improper below) lead up, cast down, & 2-hand turn halfway in the middle of the line.

 

5-6

Lines fall back for 3 and come forward.

 

7-8

Ends gate middles up & around to progressed places.



Sources:

We are pleased to be able to present works from the following composers...

Author Links Dances
Jenny Beer Email JennyJenny's webpage Key to the Cellar
Philippe Callens Email PhilippePhillipe's webpage Autumn in Amherst
Robin Hayden Email RobinRobin's webpage Live Oak Circle
Gary Roodman Email GaryGary's webpage Trip to the Manors
Whately Barn
Jacqueline Schwab Email JacquelineJacqueline's webpage Hudson Barn

 


 

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Revised:  10/22/05